I watched this on the NYTimes. It is heartbreaking, but also, in a way, a balm. Literature is a balm, if you have access to it. It’s Sophocles.
This is the place
by Tony Walsh, aka Longfella
(This is meant as a tribute to the city of Manchester, the rights to the poem belong to the author not to us)
In the north-west of England. It’s ace, it’s the best
And the songs that we sing from the stands, from our bands
Set the whole planet shaking.
Our inventions are legends. There’s nowt we can’t make, and so we make brilliant music
We make brilliant bands
We make goals that make souls leap from seats in the stands
And we make things from steel
And we make things from cotton
And we make people laugh, take the mick sommat rotten
And we make you at home
And we make you feel welcome and we make summat happen
And we can’t seem to help it
And if you’re looking from history, then yeah we’ve a wealth
But the Manchester way is to make it yourself.
And make us a record, a new number one
And make us a brew while you’re up, love, go on
And make us feel proud that you’re winning the league
And make us sing louder and make us believe that this is the place that has helped shape the world
And this is the place where a Manchester girl named Emmeline Pankhurst from the streets of Moss Side led a suffragette city with sisterhood pride
And this is the place with appliance of science, we’re on it, atomic, we struck with defiance, and in the face of a challenge, we always stand tall, Mancunians, in union, delievered it all
Such as housing and libraries and health, education and unions and co-ops and first railway stations
So we’re sorry, bear with us, we invented commuters. But we hope you forgive us, we invented computers.
And this is the place Henry Rice strolled with rolls, and we’ve rocked and we’ve rolled with our own northern soul
And so this is the place to do business then dance, where go-getters and goal-setters know they’ve a chance
And this is the place where we first played as kids. And me mum, lived and died here, she loved it, she did.
And this is the place where our folks came to work, where they struggled in puddles, they hurt in the dirt and they built us a city, they built us these towns and they coughed on the cobbles to the deafening sound to the steaming machines and the screaming of slaves, they were scheming for greatness, they dreamed to their graves.
And they left us a spirit. They left us a vibe. The Mancunian way to survive and to thrive and to work and to build, to connect, and create and greater ― Manchester’s greatness is keeping it great.
And so this is the place now with kids of our own. Some are born here, some drawn here, but all call it home.
And they’ve covered the cobbles, but they’ll never defeat, all the dreamers and schemers who still teem through these streets.
Because this is a place that has been through some hard times: oppressions, recessions, depressions, and dark times.
But we keep fighting back with greater Manchester spirit. Northern grit, northern wit, and greater Manchester’s lyrics.
And these hard times again, in these streets of our city, but we won’t take defeat and we don’t want your pity.
Because this is a place where we stand strong together, with a smile on our face, greater Manchester forever.
And we’ve got this place where a team with a dream can get funding and something to help with a scheme.
Because this is a place that understands your grand plans. We don’t do “no can do” we just stress “yes we can”
Forever Manchester’s a charity for people round here, you can fundraise, donate, you can be a volunteer. You can live local, give local, we can honestly say, we do charity different, that Mancunian way.
And we fund local kids, and we fund local teams. We support local dreamers to work for their dreams. We support local groups and the great work they do. So can you help us. help local people like you?
Because this is the place in our hearts, in our homes, because this is the place that’s a part of our bones.
Because greater Manchester gives us such strength from the fact that this is the place, we should give something back.
Always remember, never forget, forever Manchester.
The cherry trees
BY EDWARD THOMAS – 1878/1917
The cherry trees bend over and are shedding
On the old road where all that passed are dead,
Their petals, strewing the grass as for a wedding
This early May morn when there is none to wed.
Western civilisation?
(Soldier Blue)
According to some of you, the Apocalypse was about to blast in the West…in 1921…
(Under burning skies)
AAAAh sometimes it’s like the night boars and Viking sheep all over again but this is about concepts, it’s … I don’t know…
When artists dream of beauty
“I mean by a picture a beautiful, romantic dream of something that never was, never will be – in a light better than any light that ever shone – in a land no one can define or remember, only desire – and the forms divinely beautiful – and then I wake up, with the waking of Brynhild.” ― Edward Burne-Jones
Briar Rose, E. Burne-Jones
The Amazing White Rabbit
“Unimportant, your majesty means, of course!”
A trip to Wonderland and through the Looking-glass
A few pics of the performers in our Carroll Workshop – March, 31st 2017 – hoping we can get more.
Miss Bolis as the reader introducing the croquet game..
And everyone together at the end
but hey, where’s the White Rabbit? Don’t tell me we don’t have any photos of him?
Victorian fiction with a twist
Do you remember the night boars? Well, something like that happened in class 5H – they were talking about Emily Bronte’s masterpiece, but somebody mispronounced it, so their teacher asked them to imagine “Watering heights” were a book in need of promotion.A sort of contest.
This is the work of the winner, Mr Kien Tuong Truong.
How about trying to play the same game?
Let’s enter a victorian mood…
George Dunlop Leslie – Alice in Wonderland
with a picture and a poem: The walrus and the carpenter” from Alice in Wonderland, by Lewis Carroll
“The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright —
And this was odd, because it was
The middle of the night.
The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done —
“It’s very rude of him,” she said,
“To come and spoil the fun.”
The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying overhead —
There were no birds to fly.
The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
If this were only cleared away,’
They said, it would be grand!’
If seven maids with seven mops
Swept it for half a year,
Do you suppose,’ the Walrus said,
That they could get it clear?’
I doubt it,’ said the Carpenter,
And shed a bitter tear.
O Oysters, come and walk with us!’
The Walrus did beseech.
A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each.’
The eldest Oyster looked at him,
But never a word he said:
The eldest Oyster winked his eye,
And shook his heavy head —
Meaning to say he did not choose
To leave the oyster-bed.
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat —
And this was odd, because, you know,
They hadn’t any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more —
All hopping through the frothy waves,
And scrambling to the shore.
The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.
The time has come,’ the Walrus said,
To talk of many things:
Of shoes — and ships — and sealing-wax —
Of cabbages — and kings —
And why the sea is boiling hot —
And whether pigs have wings.’
But wait a bit,’ the Oysters cried,
Before we have our chat;
For some of us are out of breath,
And all of us are fat!’
No hurry!’ said the Carpenter.
They thanked him much for that.
A loaf of bread,’ the Walrus said,
Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed —
Now if you’re ready, Oysters dear,
We can begin to feed.’
But not on us!’ the Oysters cried,
Turning a little blue.
After such kindness, that would be
A dismal thing to do!’
The night is fine,’ the Walrus said.
Do you admire the view?
It was so kind of you to come!
And you are very nice!’
The Carpenter said nothing but
Cut us another slice:
I wish you were not quite so deaf —
I’ve had to ask you twice!’
It seems a shame,’ the Walrus said,
To play them such a trick,
After we’ve brought them out so far,
And made them trot so quick!’
The Carpenter said nothing but
The butter’s spread too thick!’
I weep for you,’ the Walrus said:
I deeply sympathize.’
With sobs and tears he sorted out
Those of the largest size,
Holding his pocket-handkerchief
Before his streaming eyes.
O Oysters,’ said the Carpenter,
You’ve had a pleasant run!
Shall we be trotting home again?’
But answer came there none —
And this was scarcely odd, because
They’d eaten every one.”
THE NIGHT BOARS 